Ford Mustang GT500 - Abstract design

Ford Mustang GT500 - Abstract design

Learn in this tutorial how to design an awesome wallpaper with Ford Mustang GT 500.

Begin your work by creating a new file (File>New) of 1280×1024 px and 72 dpi. Using the Rectangle Tool (U), try to make the first background’s element of the picture we want to get in the end. The element’s color is #301C13

Ford Mustang GT500 - Abstract design

Applying the same tool, try to make the second element of the background, this time of black color.

Ford Mustang GT500 - Abstract design

Using the Rectangle Tool (U) continue representing the next element of the background, having the color #2E2017

Ford Mustang GT500 - Abstract design

Select one more time the mentioned above instrument to create a horizontal line, colored with #BD9A72.

Ford Mustang GT500 - Abstract design

Select the Rectangle Tool (U) to make another element of the picture to be. The flatness may be inclined, applying Free Transform selection. The color is #F3D895

Ford Mustang GT500 - Abstract design

Next we should find in Internet a photo, having represented on it a city.

Ford Mustang GT500 - Abstract design

Cut out the city’s elements.

Ford Mustang GT500 - Abstract design

Select the next demonstrated parameters for the city’s layer by making a mouse click on this layer on the layers’ palette. Blending Options>Color Overlay

Ford Mustang GT500 - Abstract design

 

Ford Mustang GT500 - Abstract design

Insert the city’s silhouette on the left top corner of the picture. The silhouette’s layer must be inclined with Free Transform selection.

Ford Mustang GT500 - Abstract design

Applying the well-known Rectangle Tool (U), we should represent now a small line along the diagonal. The layer’s color is #590D00. It may be inclined with the same Free Transform solution.

Ford Mustang GT500 - Abstract design

Using the same tool and the same method, try to make the next inclined line, having the color #F86E0C

Ford Mustang GT500 - Abstract design

Next we shall create one more line in an inclined position also, choosing the color for it #23120A

Ford Mustang GT500 - Abstract design

The layer’s parameters: Blending Options>Stroke

Ford Mustang GT500 - Abstract design

 

Ford Mustang GT500 - Abstract design

Select again the Rectangle Tool (U) to draw this time three thin black lines, which must be inclined too with Free Transform option.

Ford Mustang GT500 - Abstract design

Now it’s time to choose the Pen Tool (P) to draw several rays situated lower than the layer containing the city’s silhouette. Their color is #D2B476

Ford Mustang GT500 - Abstract design

 

Ford Mustang GT500 - Abstract design

Now we shall apply the Ellipse Tool (U) to draw a circle, colored with #897253

Ford Mustang GT500 - Abstract design

The layer’s parameters: Blending Options>Outer Glow

Ford Mustang GT500 - Abstract design

Blending Options>Inner Glow

Ford Mustang GT500 - Abstract design

 

Ford Mustang GT500 - Abstract design

Make a copy of the circle’s layer and select then the Free Transform option to make the copy smaller, changing also the parameters for the copy’s layer (Blending Options>Outer Glow>Elements>size 10px; Blending Options>Inner Glow>Elements>size 10px), placing the new layer lower than the layer containing the big circle.

Ford Mustang GT500 - Abstract design

Make a copy this time of the recently made copy’s layer. Select then the Free Transform option to make the copy smaller, situating this new copy lower than the layer containing the big circle.

Ford Mustang GT500 - Abstract design

Applying the same method, try to make one more circle’s copy.

Ford Mustang GT500 - Abstract design

Select the Ellipse Tool (U) to represent a small circle, colored with #9D8A6A. This one should be placed lower also than the layer containing the big circle.

Ford Mustang GT500 - Abstract design

The layer’s parameters: Blending Options>Outer Glow

Ford Mustang GT500 - Abstract design

Blending Options>Inner Glow

Ford Mustang GT500 - Abstract design

 

Ford Mustang GT500 - Abstract design

Make three copies of the layer containing the circle and choose again Free Transform option to place the copies as below.

Ford Mustang GT500 - Abstract design

Choose once again the Ellipse Tool (U) to draw an element of the ornament on the city’s silhouette, as you may see on the picture from below:

Ford Mustang GT500 - Abstract design

The layer’s parameters: Blending Options>Gradient Overlay

Ford Mustang GT500 - Abstract design

Gradient’s parameters:

Ford Mustang GT500 - Abstract design

Blending Options>Stroke

Ford Mustang GT500 - Abstract design

 

Ford Mustang GT500 - Abstract design

Make three copies of the last made layer and using Free Transform selection, try to situate the copies the same way demonstrated next picture, changing also the copies’ sizes.

Ford Mustang GT500 - Abstract design

Next step includes creating two small lines above the layer containing the city’s silhouette. This operation must be done with the Rectangle Tool (U). The Free Transform option will be used for turning the elements around. The layers with the lines should be placed lower than the layer containing the big circle and the layers containing the attached circles to the biggest one.

Ford Mustang GT500 - Abstract design

Applying the same tool and the same method try to make another small black line which layer should be positioned lower than the layer with the big circle and the layers with the circles attached to the biggest one.

Ford Mustang GT500 - Abstract design

Select again the Ellipse Tool (U) to represent several small circles, placing them lower than the layer containing the big circle.

Ford Mustang GT500 - Abstract design

The layer’s parameters: Blending Options>Outer Glow

Ford Mustang GT500 - Abstract design

Blending Options>Inner Glow

Ford Mustang GT500 - Abstract design

 

Ford Mustang GT500 - Abstract design

Make two copies of the layer containing the newly made circle and choose the Free Transform option to situate the copies as it is demonstrated next picture.

Ford Mustang GT500 - Abstract design

Continue drawing the circles. The layer’s color this time is #9D8A6A

Ford Mustang GT500 - Abstract design

The layer’s parameters: Blending Options>Outer Glow

Ford Mustang GT500 - Abstract design

Blending Options>Inner Glow

Ford Mustang GT500 - Abstract design

Blending Options>Stroke

Ford Mustang GT500 - Abstract design

 

Ford Mustang GT500 - Abstract design

Make a copy of a circle situated above the city’s silhouette and choose again the Free Transform option to place the copy lower than the layer with the big circle.

Ford Mustang GT500 - Abstract design

Continue representing the circles. This time choose for them the color #F86E0C

Ford Mustang GT500 - Abstract design

The layer’s parameters: Blending Options>Outer Glow

Ford Mustang GT500 - Abstract design

Blending Options>Inner Glow

Ford Mustang GT500 - Abstract design

Blending Options>Stroke

Ford Mustang GT500 - Abstract design

 

Ford Mustang GT500 - Abstract design

Next we shall create a new document of 5×5 px and 72 dpi, applying on it the Pencil Tool (B) (brush of 1 px) to represent a pattern of black color, the same way indicated next picture.

Ford Mustang GT500 - Abstract design

Save the pattern: Edit>Define Pattern.
Create a new layer and make a mouse click on Edit>Fill, selecting the earlier saved pattern.

Ford Mustang GT500 - Abstract design

The layer’s parameters: Blending mode-Overlay

Ford Mustang GT500 - Abstract design

Make a mouse click on the same layer on Add a mask solution situated on the bottom part of the layer’s palette and using a standard brush of black color, try to erase the texture’s parts we don’t need.

Ford Mustang GT500 - Abstract design

 

Ford Mustang GT500 - Abstract design

Take the Ellipse Tool (U) to draw one more circle, colored with #9C7355

Ford Mustang GT500 - Abstract design

The layer’s parameters: Blending Options>Outer Glow

Ford Mustang GT500 - Abstract design

Blending Options>Inner Glow

Ford Mustang GT500 - Abstract design

 

Ford Mustang GT500 - Abstract design

Now we have to find in Internet a photo containing a Mustang car.

Ford Mustang GT500 - Abstract design

Cut out the car.

Ford Mustang GT500 - Abstract design

Insert it on our basic picture, changing the car’s sizes with Free Transform selection.

Ford Mustang GT500 - Abstract design

Set the next shown parameters for the layer containing the car: Blending Options>Stroke

Ford Mustang GT500 - Abstract design

 

Ford Mustang GT500 - Abstract design

It’s time to introduce on our picture the car’s name, keeping the demands from the next demonstrated table:

Ford Mustang GT500 - Abstract design

 

Ford Mustang GT500 - Abstract design

Finished!

View full size here.